Art tells us more about the First World War than any politician’s speech

Published by ConservativeHome

s end 3I had the fortune and great privilege when I was at school of appearing in productions of both R.C Sherriff’s Journey’s End and Joan Littlewood’s Oh, What a Lovely War!. Both, in very different ways, had a profound effect on my understanding and appreciation of the First World War, not least because my maternal grandfather (Gramps) – a veteran of both world wars – was conscripted to see me do battle in both productions. I can still remember meeting him in the school hall afterwards: I was eager for a pat on the back and words of praise, but all I got was watery eyes behind a damp hanky. There was I, the schoolboy, frolicking in the trenches of Flanders and waltzing to ‘Après la Guerre’ with Lady Haig. And there was Gramps, the veteran, for whom this was very real biography, and whose friends and colleagues were machine-gunned, gassed and buried on the Somme.

Journey’s End and Oh, What a Lovely War! are poles apart in their apprehension of the First World War. Sherriff’s 1928 play is an intimate, respectful tragedy about heroes, virtues, leadership and sacrifice. It speaks profoundly to pacifists and Just War advocates alike. Littlewood’s 1963 musical is an epic, irreverent romp through fluffy parodies and black-humoured allegory. It speaks volumes to cynics and sceptics without demeaning the memory of doomed youth. Sherriff wept with his fallen comrades, knee-deep in the muddy trenches of Passchendaele; Littlewood skipped with her pierrots, to an imagined dance of slaughter, bravura and vulgarity. Continue reading

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Pompeii and Herculaneum – the original Ground Zero

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Pompeii frescoOf all the cities of antiquity, Pompeii is quite possibly the best known. “It was lost, and is now found; it was destroyed, and is now preserved.” Frozen in time, it provides a unique
window on Roman cultural and intellectual life, and holds a mirror up to so many of our own attitudes, features, gestures and obsessions. Continue reading

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Marin Alsop: the magnificent First Lady of the Last Night

Published by Daily Mail

Prom 75: Last Night of the Proms (Royal Albert Hall)

Marin Alsop

Marin Alsop conducts BBC Symphony Orchestra and Chorus ©BBC/Chris Christodoulou

A woman can’t possibly conduct this, bemoaned some. It’s a bit like asking one to reverse-park their Ford Ka into a not-so-tight spot. And an American? Good grief, it’s the end of civilisation as we know it, lamented others. It is as though the spirit of Wallis Simpson had returned from Baltimore to purloin the Crown of England. The Proms are international, sure, but the Last Night is a peculiarly British affair, and at all costs we must preserve this sacred institution from the BBC’s interminable trendy ‘modernising’ and its lefty notions of political ‘progress’. Continue reading

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The Olympics must be about sport alone: Stephen Fry should confront Putin in the theatre

Published by Daily Mail

Stephen Fry 2‘Hetero gentile @Adrian_Hilton thinks it’s ok to misrepresent @stephenfry as comparing Putin Russia to holocaust… Imagine being paid to smuther opposition to homophobia. We don’t need bigoted straight people telling us what to do thanks… kindly remove yourself from telling people who suffer an oppression you do not, to shut up about it.’

This was one of the more judgmental but eloquent rants I received from Stephen Fry’s Twitter hordes following my perfectly reasonable question as to why a ban on the 2014 Sochi Winter Olympics is an ‘essential’ response to Putin’s anti-gay legislation, but no such ban is warranted on the arts. Another of them helpfully advised: ‘Please go jump in a lake. I dare say you can swim, but it might just wash off the stench of smug self-righteousness.’ One of Fry’s more intelligent and articulate followers called me a ‘c**t biscuit t**t’, whatever one of those is. Continue reading

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National Youth Splendour

Published by Daily Mail

Prom 38: Vaughan Williams, Mark-Anthony Turnage and Beethoven (Royal Albert Hall)

National Youth Orchestre Prom38

Vasily Petrenko conducts the National Youth Orchestra of Great Britain at the BBC Proms ©BBC/Chris Christodoulou

A free main-evening Prom in the Royal Albert Hall. What a great idea. And before anyone bleats about the outrageous cost of elite arts subsidy to the poor BBC licence fee payer, no musicians were paid in the making of this Prom. In fact, I am assured that no money exchanged hands at all. Tickets were allocated on a first-come-first-served basis, and they flew out of the box office faster than semi quavers in an allegro. This was real orchestral outreach – making music available to anyone and everyone. Sir Henry would have been proud. Continue reading

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Why doesn’t Stephen Fry call for a ban on Russian music, theatre and all performing arts?

Published by Daily Mail

Stephen Fry

“An absolute ban on the Russian Winter Olympics of 2014 on Sochi is simply essential,” says Stephen Fry in an impassioned letter to the Prime Minister and the International Olympic Committee, apparently written on behalf of the entire civilised world.

By ‘civilised’, one assumes he means the superior, enlightened and cultured proponents of equality and human rights, as opposed to the barbaric hordes whose primitive tribal impulses seek to outlaw the propagation of ‘non-traditional’ sexual orientations, ban gay-pride marches and prohibit the adoption of children by same-sex couples, as President Putin seems determined to do. Continue reading

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Twitter abuse and the joy of #BardPoliticians

Published by ConservativeHome

bard politicians“And there’s for twitting me with perjury,” cries George Plantagenet, Duke of Clarence, as he lunges toward the customary bloody stab-fest at the end of Shakespeare’s Henry VI Part III.

As an unapologetic Bardophile, I take the view that nothing escapes the attention of the world’s greatest poet and playwright – democracy, witchcraft, suicide, psychosis, England, Iceland, football and tennis: it’s all there. But ‘twitting’ during the Wars of the Roses was not a prescient reference to the emergence of Twitter: it is part of a tirade of insults among fractious brothers each vying for the Crown of England. Richard taunts Prince Edward, who declares himself better than all three traitorous and usurping brothers. King Edward IV, Richard and George in turn stab the young Prince Edward to death. Queen Margaret faints, and Richard skulks off to the Tower. Continue reading

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Vaughan Williams spanned time and space, but Stephen Hough was the star

Published by Daily Mail

Prom 1: First Night of the Proms 2013 (Royal Albert Hall)

Stephen Hough

Stephen Hough and the BBC Symphony Orchestra conducted by Sakari Oramo
©BBC/Chris Christodoulou

I’ve never been to a First Night of the Proms before: it’s so much more elegant and stylish than the Last, and this one had a musical coherence of ambrosial heights. Or perhaps I should say Neptunian depths, since the overriding theme was oceanic, and the tide of surging waves bathed the audience in a symphony of wonder. Continue reading

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The world’s greatest musician… and a first for the Ring Cycle

Published by ConservativeHome

Proms 2013
The 2013 Proms season begins in just a fortnight. Every year since I was 14 and thoroughly captivated by counterpoint, I’ve eagerly awaited publication of the BBC’s lavish Proms brochure. Some years, of course, it’s more lavish than others. I used to open it up and quickly highlight all the Beethoven gigs, which usually determined the magnitude of my spiritual rapture and sublime ecstasy. Now I’m a bit more eclectic in my tastes, and embrace just about anything except Bartók.

There are some undoubted highlights this season, which marks the 200th anniversary of the births of Wagner and Verdi (1813 was a vintage year). 2013 is also the centenary of the birth of Benjamin Britten and the 50th anniversary of the creation of Dr Who (sorry to mention that in the same paragraph, but this column is very broadly about ‘culture’ and there’s bound to be a few ConHomies who prefer Time Lords and Daleks to latent Risorgimento and synthesised Gesamtkunstwerk). Continue reading

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An Audience with Barbra Streisand and family and friends and sundry others

Published by Daily Mail

Barbra Streisand Live at the O2 ArenaBarbra Streisand Plays O2 ArenaShe is the stuff of legend – still bewitching and beguiling at the vintage age of 71 (not that she looks or sounds it). Barbra Streisand has won a couple of Oscars, a Tony, an Emmy, a Golden Globe and been awarded France’s Legion d’Honneur. She has Grammies galore, with 51 gold, 30 platinum and 13 multi-platinum albums to her illustrious name. She even has an ‘effect’ named after her, which must be the showbiz equivalent of a political ‘-ism’. So it was no surprise that she got a standing ovation the moment she ascended the stage on a lift (not out of geriatric necessity). Continue reading

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