Education? Qualification? Publication? No answer from Mo Ansar

Mo Ansar“Fascinating Twitter exchange between @MoAnsar and @Adrian_Hilton on education,” tweeted the BBC’s Nicky Campbell during a rather disheartening dialogue I was having with everyone’s favourite Muslim social commentator.

And fascinating entertainment it may very well have been for the steadily-swelling Twitter crowds who were gathering to RT, ‘favourite’ and butt in on the commotion. But educationally enlightening it was not. And I wouldn’t be writing about it now but for the peculiar fact that Mo Ansar hastily deleted a whole string of his tweets when he realised that he was being monitored not only by his adoring fans, but also by the eminent historian and author Tom Holland. Continue reading


Don’t let political correctness corrode the art of acting

Published by ConservativeHome

Daniel Day Lewis My Left Foot“Able-bodied actors should not play disabled characters,” says film critic Scott Jordan Harris, writing on the website of the late Roger Ebert. “That they so often do should be a scandal,” Harris submits.

He develops his argument from the anti-discriminatory moral perspective of social equality, advancing that the modern world should no more entertain the able-bodied playing a disabled character than we would a white man playing the Moor of Venice or a chap in Ptolemaic drag prancing around the stage as Egypt’s Cleopatra. Indeed, audiences would most likely find justifiable grievance in a pale actor donning “the Thick-lips” of Othello, or having to watch “Some squeaking Cleopatra boy (her) greatness / I’ th’ posture of a whore”. Nowadays black people play black characters and women play Shakespearean heroines, so there is a certain logic in the belief that disabled roles should be reserved for disabled thespians: in Harris’s terminology, the “performance is automatically authentic”. Continue reading