In defence of drama school

  • Published by CapX
  • In his dogmatic moralising of 1577, the puritanical preacher Thomas White was convinced that the plague was God’s judgment on the depravities of theatre: “The cause of plague is sin,” he thundered, “..and the cause of sin are plays: therefore the cause of plagues are plays.” Continue reading

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    Guinness World Records should reward the weird, wacky and relentlessly committed – not honour dictators

  • Published by The Telegraph
  • Guinness World Records
    Ashrita Furman, who holds more Guinness World Records than anyone, attempts to set a new record for slicing the most watermelons in half on his own stomach in one minute in New York Credit: Brendan McDermid/Reuters

    The Guinness Book of Records was designed as authoritative compendium of extraordinary human achievements and superlative natural facts, from the grotesque (“Fattest Person Ever”) and downright wacky – like the man who balanced a 10 stone refrigerator on his teeth – to the truly breathtaking Continue reading

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    ‘Blood Swept Lands and Seas of Red’ – a tribute to our Great War dead

    Published by Freedom Today

    TFA cover2 - WW1Some wars are fought to subjugate and oppress, others to redeem and liberate. Some are arise out of vengeance and resentment, others in pursuit of justice and peace. There are conflicts of land and wealth or power and glory. The righteous rhetoric of dictatorship carves into the democratic commonwealth. The principalities of theocracy, plutocracy and oligarchy seem to be perpetually ranged against liberty, justice and the rule of law. In the realm of rationality, there can be no concessions: victory is the goal and virtue the motivation. But their morality is our insanity. Their freedom is our captivity. Give me impotence, and I will show you a slave. Continue reading

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    If Robin Williams had played King Lear…

    Published by ConservativeHome

    Robin Williams - imagined Lear“…that shrewd and knavish sprite/ Call’d Robin”, I tweeted on the #nothingescapesshakespeare hashtag I seem to share with my fellow Bardophile Dan Hannan, when I heard the sad news that Robin Williams was dead. I guess for a certain generation (i.e. mine) he will always be the zany, elfin Mork from Ork, transmitting wry observations about the human condition (i.e. American culture) to his humourless supervisor Orson – “Nanoo Nannoo”. The TV series went stratospheric in the late 70s, and a lot of casting thereafter was done to feed Williams’s whirlwind appetite for comedy – DJ Adrian Cronauer in Good Morning Vietnam, Armand in The Birdcage, or the explosive voice of the Genie in Aladdin, much of which was improvised. Every performance was a spontaneous cyclone of craziness and enthusiasm for life. Continue reading

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    The resurrection of the biblical epic

    Published by ConservativeHome

    MosesIn an increasingly unbelieving world of humanism and secularisation, not to mention the jarring dissonance of a sharia-compliant caliphate and all the fuss over women bishops, religion has become a turn-off. God is bothersome: atheism rules the new enlightenment and Dawkins reigns supreme. Mention the Bible or Church, and eyes glaze over. But say “biblical epic”, and something numinous energises the spirit. You might not believe in the irruption of God into the affairs of man, but you will surely be drawn and compelled to all that is theatrically holy. Even Professor Dawkins might admit to being mystically gladdened by the ancient legends of transcendence and omnipotence. Continue reading

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    The importance of cultural self-belief

    Published by ConservativeHome

    BlackboardI’ve noticed over many years in the classroom that when students enter the physics or chemistry lab, they expect to be taught facts, and the teachers duly oblige by providing copious evidence from textbooks. But when those same students come to me to consider matters of theology, politics and philosophy, they generally take the view that they can choose what they like best, because just about everything that Hilton goes on about is mere opinion or speculation, if not total fabrication. If it feels good and brings serenity, it must be good and serene. Whatever they choose to believe is true, and truth is consecrated in the mind, just above freedom. Continue reading

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    Pick of the Proms 2014

    Published by ConservativeHome

    Proms 2014 launchThe wide-eyed wait is over, anticipation satisfied and rumours confirmed or quashed. (Actually, they’re invariably confirmed, simply because any orchestra, conductor or classical artist that publicises a scheduled appearance at a “major British/London summer festival” has invariably been booked for the Proms but simply isn’t allowed to say so, which, in this day and age, is a bit silly really). But it all kicks off on 18th July, and there are proms for families, proms for poets, proms for singers and proms for children; there are midnight proms, chamber proms, proms in the park and proms for stage and screen. If none of this creeps into your ears, you have no soul. Continue reading

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    Don’t let political correctness corrode the art of acting

    Published by ConservativeHome

    Daniel Day Lewis My Left Foot“Able-bodied actors should not play disabled characters,” says film critic Scott Jordan Harris, writing on the website of the late Roger Ebert. “That they so often do should be a scandal,” Harris submits.

    He develops his argument from the anti-discriminatory moral perspective of social equality, advancing that the modern world should no more entertain the able-bodied playing a disabled character than we would a white man playing the Moor of Venice or a chap in Ptolemaic drag prancing around the stage as Egypt’s Cleopatra. Indeed, audiences would most likely find justifiable grievance in a pale actor donning “the Thick-lips” of Othello, or having to watch “Some squeaking Cleopatra boy (her) greatness / I’ th’ posture of a whore”. Nowadays black people play black characters and women play Shakespearean heroines, so there is a certain logic in the belief that disabled roles should be reserved for disabled thespians: in Harris’s terminology, the “performance is automatically authentic”. Continue reading

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    Oh What A Lefty War – a revolution victoriously revisited

    Published by ConservativeHome

    Oh What A Lovely War, (Theatre Royal Stratford East)

    Oh What A Lovely War3“And here’s a donkey!” bawls Shaun Prendergast, the magnetic Master of Ceremonies in the revived 1960s musical satire Oh What A Lovely War, now playing at the Theatre Royal Stratford East. And as we await the predictable screen projections of Sir John French or Field Marshal Douglas Haig or any of the other warmongering jackasses and dolts Joan Littlewood so clearly despised, up pops a picture of Michael Gove, to the girly sniggering and overblown applause of the audience. Continue reading

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    Claudio Abbado and the importance of music in education

    Published by ConservativeHome

    Claudio AbbadoThe world has lost one of the greatest musical virtuosos of our time. The renowned and charismatic conductor Claudio Abbado died on Monday. You only have to contemplate his Mahler 9, Bruckner 9 or his Brahms 3 to appreciate the breadth of his interpretative capacity and the profound grasp he had of musical form. Listen intently to the pulse of his sound: the silences have a cavernous depth; crescendos soar in emotional ecstasy; and his adagios creep toward heaven almost in communion with the divine. He was as serene on the podium as he was silent in life: music was his worship, and that was the gateway to freedom – spiritual and political. For him, no movement should distract and no words deflect from the sanctity of sublime orchestral harmony. Continue reading

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