Education? Qualification? Publication? No answer from Mo Ansar

Mo Ansar“Fascinating Twitter exchange between @MoAnsar and @Adrian_Hilton on education,” tweeted the BBC’s Nicky Campbell during a rather disheartening dialogue I was having with everyone’s favourite Muslim social commentator.

And fascinating entertainment it may very well have been for the steadily-swelling Twitter crowds who were gathering to RT, ‘favourite’ and butt in on the commotion. But educationally enlightening it was not. And I wouldn’t be writing about it now but for the peculiar fact that Mo Ansar hastily deleted a whole string of his tweets when he realised that he was being monitored not only by his adoring fans, but also by the eminent historian and author Tom Holland. Continue reading


Art tells us more about the First World War than any politician’s speech

Published by ConservativeHome

s end 3I had the fortune and great privilege when I was at school of appearing in productions of both R.C Sherriff’s Journey’s End and Joan Littlewood’s Oh, What a Lovely War!. Both, in very different ways, had a profound effect on my understanding and appreciation of the First World War, not least because my maternal grandfather (Gramps) – a veteran of both world wars – was conscripted to see me do battle in both productions. I can still remember meeting him in the school hall afterwards: I was eager for a pat on the back and words of praise, but all I got was watery eyes behind a damp hanky. There was I, the schoolboy, frolicking in the trenches of Flanders and waltzing to ‘Après la Guerre’ with Lady Haig. And there was Gramps, the veteran, for whom this was very real biography, and whose friends and colleagues were machine-gunned, gassed and buried on the Somme.

Journey’s End and Oh, What a Lovely War! are poles apart in their apprehension of the First World War. Sherriff’s 1928 play is an intimate, respectful tragedy about heroes, virtues, leadership and sacrifice. It speaks profoundly to pacifists and Just War advocates alike. Littlewood’s 1963 musical is an epic, irreverent romp through fluffy parodies and black-humoured allegory. It speaks volumes to cynics and sceptics without demeaning the memory of doomed youth. Sherriff wept with his fallen comrades, knee-deep in the muddy trenches of Passchendaele; Littlewood skipped with her pierrots, to an imagined dance of slaughter, bravura and vulgarity. Continue reading


The malignant left-wing pathology of educational academics

Published by Daily Mail

Gove protestsAs the Socialist Worker alliance of teaching unions continue their disruptive ‘work-to-rule’ policy in schools, I see they are now agitating for further strike action. It has been announced that the comrades will walk out (again) and abandon their students this summer and autumn in protest at Michael Gove’s education reforms. We’re more than acquainted with NUT hyperbole and disinformation when it comes to the Government’s education policy, but I am intrigued by a contentious letter in The Independent on this subject which has been signed by more than 100 academics.

These eminent professors and teachers of education write on behalf of some of the nation’s most prestigious centres of learning. They are seemingly persuaded that the proposed reforms to the National Curriculum will damage education standards because the tedious focus will be on ‘endless lists of spellings, facts and rules’, spiced up with a dirge of ‘rote learning without understanding’. Continue reading