Pick of the Proms 2014

Published by ConservativeHome

Proms 2014 launchThe wide-eyed wait is over, anticipation satisfied and rumours confirmed or quashed. (Actually, they’re invariably confirmed, simply because any orchestra, conductor or classical artist that publicises a scheduled appearance at a “major British/London summer festival” has invariably been booked for the Proms but simply isn’t allowed to say so, which, in this day and age, is a bit silly really). But it all kicks off on 18th July, and there are proms for families, proms for poets, proms for singers and proms for children; there are midnight proms, chamber proms, proms in the park and proms for stage and screen. If none of this creeps into your ears, you have no soul. Continue reading

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A good cultural education makes good individuals and a good society

Published by ConservativeHome

Matthew Arnold quote

Matthew Arnold – poet, essayist and Her Majesty’s Inspector of Schools – famously wrote that culture is concerned with knowing “the best that has been said and thought in the world”. This has become the leitmotif of Michael Gove’s educational revolution: if children are not exposed to the classics of literature, music, theatre, dance, film, painting, sculpture – what we terms the “fine arts” – then society is impoverished, civilisation declines and future generations are inculcated with nothing but the banal, mediocre and vulgar.

Out go TS Eliot, Wordsworth, Elgar, Monet and Mozart; in come Carol Ann Duffy, Damien Hirst, Russell Brand and Madonna. Critical thought is abandoned for formulaic answers – who needs epistemology when you’ve got a WH Smith’s revision guide? And academic rigour is replaced with emotional intelligence – what’s the point of straight-A*s if the child has low self-esteem? Continue reading

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Barenboim channels the spirit of Beethoven

Published by Daily Mail

Prom 18: Beethoven Symphony No.9 in D minor, ‘Choral’. Daniel Barenboim conducts the West-Eastern Divan Orchestra and the National Youth Choir of Great Britain (Royal Albert Hall)

Beethoven Barenboim“By assiduous labour you shall receive Mozart’s spirit from Haydn’s hands,” mused Count Ferdinand Waldstein, as he packed the young Ludwig van Beethoven off to Vienna to fulfil his dreams. Little could Bonn’s great patron of the arts have known that Beethoven’s own hands would surpass those of Haydn, his tutor, or that his spirit would soar above that of Mozart, his inspiration and muse.

This evening marked the culmination of Daniel Barenboim’s complete Beethoven symphony cycle at the Proms – the first by a single maestro since Henry Wood conducted them in 1942. I have either watched them on TV or listened on Radio 3, and it has been a mesmeric, occasionally revelatory cycle. Continue reading

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By George, they did it!

Published by Daily Mail

Prom 2: John Wilson Orchestra does My Fair Lady (Royal Albert Hall)

My Fair Lady 1

Annalene Beechey and Anthony Andrews conducted by John Wilson in My Fair Lady at the BBC Proms ©BBC/Chris Christodoulou

I was invited by EMI to the world famous Abbey Road Studios this week for a sneak preview of ‘Rodgers & Hammerstein: At The Movies’ – the latest album from the effervescent John Wilson Orchestra and the Maida Vale Singers, featuring the glorious Sierra Boggess (Love Never Dies, Phantom of the Opera), Julian Ovenden (Death Takes a Holiday, Finding Neverland) and David Pittsinger (South Pacific). Sipping a glass of Chardonnay in the historic Studio 1, just 15 feet from the Maestro and all of five feet from the swinging double basses, it was a wonderful amuse-oreille to last night’s Prom. Continue reading

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Cutting the Arts and decimating Culture

Published by The Spectator

Ed VaizeyRationing Mammon emaciates the Muses. Plato knew it, and so does Polly Toynbee: it’s just simple cause and effect. And government cuts tend to be cyclical: seven fat years of abundance are invariably followed by lean years of famine. Unlike health and overseas development, the arts seem to have no divine right of exemption from the fiscal straitjacket presently being strapped around other departments of state: it is undeniably politically easier to cut Northern Ballet than hospital beds or malaria nets. But the suggestion that a reduction of £150 million amounts to little more than a slight nip‘n’tuck in a very fleshy sector is a little misleading. Certainly, there are savings to be made in the labyrinthine, pathologically-left-leaning quangocracy which generously bestows public money more in proportion to political correctness than artistic merit. But, my goodness, we need to be a little careful before we equate the RSC with a bloated BBC; the LSO with the inefficiencies of the NHS; our museums and galleries with otiose Harrier jump-jets; or the local school film club or drama group with rubbish collection and pot-hole filling. Continue reading

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