The BBC would have us think that Ferguson trumps the Queen

Published by ConservativeHome

Sir Alex Ferguson

Is there a sporting equivalent for the philosophic or aesthetic philistine? If so, please excuse my socio-lexical ignorance: I must be one. I sat patiently through last night’s BBC News while the Gracious Speech played inglorious left-wing to the centre-mid resignation of Sir Alex Ferguson. I bit my lip as his departure from the field shunted the Coalition’s programme for government from the headlines of the national press, and Twitter tribalists obsessed all day about his legendary record of achievement.

Incredibly, there were even some comparing the moment to the death of The Lady, which is really quite appalling when you think about it. Did the late, great Alex Ferguson really do for football what the late and very much greater Margaret Thatcher did for Great Britain? Did he halt terminal decline, revive a national spirit, liberate half a continent or inspire a generation? Continue reading

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Et tu, Shakespeare?

Published by ConservativeHome

Coriolanus2

My name is Caius Marcius, who hath done
To thee particularly and to all the Volsces
Great hurt and mischief; thereto witness may
My surname, Coriolanus…

I was in the Upper-6th. I still remember that Eng Lit class and reciting those words to a horde of A-level Volscians, many of whom really wanted to be Romans, and most of whom were entirely unimpressed by my lilting vowels and crisp, Olivier-like consonants. Shakespeare was my antidote to the interminable Dark Period of teenage angst. At school I could be a Roman, a Greek, a pauper or a king. One day it was virtue and beauty; the next villainy and treachery. There was infatuation and isolation; vengeance and pride; romance and melancholy; and hormonal virility with bouts of exotic cross-dressing trans-sexuality. I lived and breathed blank verse: I was Romeo, Richard, Malvolio and Hamlet. Tomorrow I would be Lear. But, for today, I was Caius Marcius. Continue reading

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In Memoriam: Graham Berkeley, January 12th 1964 – September 11th 2001

Published by Dale & Co

graham berkeley 2It was the beginning of another academic year. I was in the staffroom, at the end of the usual sort of frenzied and frantic day which usually greets the first weeks of a new term. The Head came in and mumbled something, but I didn’t take any notice. No-one else seemed to. I was immersed in a sea of admin, data and trivia – student lists, text books, timetabling and staffing. As I gathered my bags to leave, I over-heard one of the English teachers refer to ‘an act of war’, but I assumed he was immersed in Wilfred Owen or Siegfried Sassoon or some such, so before I could become embroiled, I darted out to my car. It was sunny and still quite warm: a hint of Indian summer. I had a chilled bottle of wine waiting for me. I liked going home.

I turned on the radio to find some vacuous mood music, but there was none. Instead, as I drove out of the car park, I heard incomprehensible utterances: something about the Pentagon being hit. My mind hazed. I slowed at the junction and signalled left: something about the World Trade Center being destroyed. I paused at the traffic lights, turned up the volume, and listened. Continue reading

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Macbeth in all its malignance

Published by The Spectator

Macbeth, (Royal Shakespeare Theatre)

Macbeth - Slinger

Jonathan Slinger (Macbeth) and Aislín McGuckin (Lady Macbeth). Photo by Ellie Kurttz.

The Royal Shakespeare Company’s new production of Macbeth is the first production devised and created for its newly refurbished theatre, and I must admit to feeling a little apprehensive about re-visiting hallowed ground. I had trod those boards and waited in those wings a thousand times, working with such eminences as John Caird, Terry Hands and the great John Barton.

While I (and every sane person) preferred the thrust stage of the elegant Swan Theatre to the dated Art Deco proscenium and cavernous auditorium of the RST, there was something about Elizabeth Scott’s 1932 creation that merited a degree of reverence and respect – not only because it had won prestigious design awards, but also because this was the temple in which the greats of British theatre had acted and re-enacted their sacred Shakespearean ritual: Olivier, Gielgud, Richardson, Redgrave, Scofield, Ashcroft, Leigh, Dench… To walk quite literally in their footsteps and intone in that same ‘empty space’ the greatest verse ever written was both moving and profoundly humbling. Continue reading

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Cutting the Arts and decimating Culture

Published by The Spectator

Ed VaizeyRationing Mammon emaciates the Muses. Plato knew it, and so does Polly Toynbee: it’s just simple cause and effect. And government cuts tend to be cyclical: seven fat years of abundance are invariably followed by lean years of famine. Unlike health and overseas development, the arts seem to have no divine right of exemption from the fiscal straitjacket presently being strapped around other departments of state: it is undeniably politically easier to cut Northern Ballet than hospital beds or malaria nets. But the suggestion that a reduction of £150 million amounts to little more than a slight nip‘n’tuck in a very fleshy sector is a little misleading. Certainly, there are savings to be made in the labyrinthine, pathologically-left-leaning quangocracy which generously bestows public money more in proportion to political correctness than artistic merit. But, my goodness, we need to be a little careful before we equate the RSC with a bloated BBC; the LSO with the inefficiencies of the NHS; our museums and galleries with otiose Harrier jump-jets; or the local school film club or drama group with rubbish collection and pot-hole filling. Continue reading

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