The Guinness Book of Records was designed as authoritative compendium of extraordinary human achievements and superlative natural facts, from the grotesque (“Fattest Person Ever”) and downright wacky – like the man who balanced a 10 stone refrigerator on his teeth – to the truly breathtaking Continue reading
Tag Archives: Shakespeare
If Robin Williams had played King Lear…
Published by ConservativeHome
“…that shrewd and knavish sprite/ Call’d Robin”, I tweeted on the #nothingescapesshakespeare hashtag I seem to share with my fellow Bardophile Dan Hannan, when I heard the sad news that Robin Williams was dead. I guess for a certain generation (i.e. mine) he will always be the zany, elfin Mork from Ork, transmitting wry observations about the human condition (i.e. American culture) to his humourless supervisor Orson – “Nanoo Nannoo”. The TV series went stratospheric in the late 70s, and a lot of casting thereafter was done to feed Williams’s whirlwind appetite for comedy – DJ Adrian Cronauer in Good Morning Vietnam, Armand in The Birdcage, or the explosive voice of the Genie in Aladdin, much of which was improvised. Every performance was a spontaneous cyclone of craziness and enthusiasm for life. Continue reading
The resurrection of the biblical epic
Published by ConservativeHome
In an increasingly unbelieving world of humanism and secularisation, not to mention the jarring dissonance of a sharia-compliant caliphate and all the fuss over women bishops, religion has become a turn-off. God is bothersome: atheism rules the new enlightenment and Dawkins reigns supreme. Mention the Bible or Church, and eyes glaze over. But say “biblical epic”, and something numinous energises the spirit. You might not believe in the irruption of God into the affairs of man, but you will surely be drawn and compelled to all that is theatrically holy. Even Professor Dawkins might admit to being mystically gladdened by the ancient legends of transcendence and omnipotence. Continue reading
Don’t let political correctness corrode the art of acting
Published by ConservativeHome
“Able-bodied actors should not play disabled characters,” says film critic Scott Jordan Harris, writing on the website of the late Roger Ebert. “That they so often do should be a scandal,” Harris submits.
He develops his argument from the anti-discriminatory moral perspective of social equality, advancing that the modern world should no more entertain the able-bodied playing a disabled character than we would a white man playing the Moor of Venice or a chap in Ptolemaic drag prancing around the stage as Egypt’s Cleopatra. Indeed, audiences would most likely find justifiable grievance in a pale actor donning “the Thick-lips” of Othello, or having to watch “Some squeaking Cleopatra boy (her) greatness / I’ th’ posture of a whore”. Nowadays black people play black characters and women play Shakespearean heroines, so there is a certain logic in the belief that disabled roles should be reserved for disabled thespians: in Harris’s terminology, the “performance is automatically authentic”. Continue reading
Claudio Abbado and the importance of music in education
Published by ConservativeHome
The world has lost one of the greatest musical virtuosos of our time. The renowned and charismatic conductor Claudio Abbado died on Monday. You only have to contemplate his Mahler 9, Bruckner 9 or his Brahms 3 to appreciate the breadth of his interpretative capacity and the profound grasp he had of musical form. Listen intently to the pulse of his sound: the silences have a cavernous depth; crescendos soar in emotional ecstasy; and his adagios creep toward heaven almost in communion with the divine. He was as serene on the podium as he was silent in life: music was his worship, and that was the gateway to freedom – spiritual and political. For him, no movement should distract and no words deflect from the sanctity of sublime orchestral harmony. Continue reading
Twitter abuse and the joy of #BardPoliticians
Published by ConservativeHome
“And there’s for twitting me with perjury,” cries George Plantagenet, Duke of Clarence, as he lunges toward the customary bloody stab-fest at the end of Shakespeare’s Henry VI Part III.
As an unapologetic Bardophile, I take the view that nothing escapes the attention of the world’s greatest poet and playwright – democracy, witchcraft, suicide, psychosis, England, Iceland, football and tennis: it’s all there. But ‘twitting’ during the Wars of the Roses was not a prescient reference to the emergence of Twitter: it is part of a tirade of insults among fractious brothers each vying for the Crown of England. Richard taunts Prince Edward, who declares himself better than all three traitorous and usurping brothers. King Edward IV, Richard and George in turn stab the young Prince Edward to death. Queen Margaret faints, and Richard skulks off to the Tower. Continue reading
The BBC would have us think that Ferguson trumps the Queen
Published by ConservativeHome
Is there a sporting equivalent for the philosophic or aesthetic philistine? If so, please excuse my socio-lexical ignorance: I must be one. I sat patiently through last night’s BBC News while the Gracious Speech played inglorious left-wing to the centre-mid resignation of Sir Alex Ferguson. I bit my lip as his departure from the field shunted the Coalition’s programme for government from the headlines of the national press, and Twitter tribalists obsessed all day about his legendary record of achievement.
Incredibly, there were even some comparing the moment to the death of The Lady, which is really quite appalling when you think about it. Did the late, great Alex Ferguson really do for football what the late and very much greater Margaret Thatcher did for Great Britain? Did he halt terminal decline, revive a national spirit, liberate half a continent or inspire a generation? Continue reading
Music, Hymns, Poetry and Scripture – the solemn majesty of Lady Thatcher’s funeral
Published by ConservativeHome
The chimes of Big Ben did not strike 10am. For three whole hours they were silenced in reverence, as London paused and the flags of England bowed. Draped in the red, white and blue of the country she loved, the coffin carrying the body of the late Margaret Thatcher made its way out of the Crypt of St Mary Undercroft, past the statue of Richard Coeur de Lion, the kingly symbol of England’s enduring Christian faith; and then past Cromwell, sword in one hand and Bible in the other, forever reminding us that the people are sovereign, Parliament is supreme, and God makes the law. And then she passed by Churchill, the last prime minister to defend these islands against invasion and the indignity of surrender to a foreign power.
Emmeline Pankhurst looked on, smiling at the fulfilment of her revolution. Nelson and the proud lions of Trafalgar joined in the homage – with spontaneous applause from the thousands who lined the streets to honour the longest-serving prime minister of the 20th century. She was, by popular consent, the greatest of our post-war leaders: after Churchill, the most remarkable and heroic of this second Elizabethan age. An intimate service in a Grantham chapel would have left the world asking: “What ceremony else?” So, black horses, a 1.5 ton gun carriage, cathedral bells, the insignia of the Armed Forces and the Queen herself all joined together in tribute to The Lady. Anything less would have shamed the nation. Continue reading
Et tu, Shakespeare?
Published by ConservativeHome
My name is Caius Marcius, who hath done
To thee particularly and to all the Volsces
Great hurt and mischief; thereto witness may
My surname, Coriolanus…
I was in the Upper-6th. I still remember that Eng Lit class and reciting those words to a horde of A-level Volscians, many of whom really wanted to be Romans, and most of whom were entirely unimpressed by my lilting vowels and crisp, Olivier-like consonants. Shakespeare was my antidote to the interminable Dark Period of teenage angst. At school I could be a Roman, a Greek, a pauper or a king. One day it was virtue and beauty; the next villainy and treachery. There was infatuation and isolation; vengeance and pride; romance and melancholy; and hormonal virility with bouts of exotic cross-dressing trans-sexuality. I lived and breathed blank verse: I was Romeo, Richard, Malvolio and Hamlet. Tomorrow I would be Lear. But, for today, I was Caius Marcius. Continue reading
EU plans to adopt Shakespeare as ‘Euro-laureate’
Published by Daily Mail
On April 23rd 2016 – and probably throughout the entire year – we will celebrate the 400th anniversary of the death of William Shakespeare. By ‘we’ I mean not only England and the English, or the United Kingdom and the British, but all nations and cultures of the world where Shakespeare is a passion, pastime or of any scholarly interest. And that necessarily embraces the whole of civilisation. As the holder of the Guinness World Record for performing the Complete Works single-handedly non-stop (five days without sleep – never again), I’ll certainly be raising a glass or two to the world’s greatest poet-playwright.
My record still stands after 25 years, and has just been re-published in the 2013 edition of the Guinness Book of Records. I will forever be grateful to those fine English teachers I had at school – Roger Calvert, Daphne Cooper and Jean Tidy – who between the years that spanned my O-levels and A-levels introduced me to Julius Caesar, Twelfth Night, Antony & Cleopatra, Coriolanus, Measure for Measure and King Lear. From the academic confines of the classroom to the emotional exuberance of the school play, I found my soul simultaneously steeped in dramatic greatness, lyrical beauty and profound wisdom: ineffable, noetic, passive – it was like a religious experience. Every visit I made to Stratford-upon-Avon became a pilgrimage: sometimes wrestling with darkness and devils, and then rejoicing with angels and ministers of grace. Continue reading