Published by The Spectator
Whenever the BBC broadcast a major national celebration or royal event, they wheel out a Dimbleby to maintain the hereditary principle. If they want a probing political interview, they sacrifice the victim to the snarls of Paxman or the claws of Humphries. If they want election night gravitas, up pops the psephologically effervescent Peter Snow. They are all Auntie’s heavy hitters; sans pareil when it comes to pomp, circumstance, inquisition and exposition.
The Corporation has never really nurtured a broadcasting aristocracy for the arts and culture. So perhaps it comes as no surprise that they poached Baron Bragg of Wigton (aka Melvyn) from ITV to present their flagship documentary to commemorate the 400th anniversary of the King James Bible. Maybe “poached” is unfair: ITV ditched his South Bank Show a couple of years ago, since which time he’s been available for hire. To many, he is the doyen of high-arts-fused-with-popular-culture broadcasting, so you might expect a state-broadcast flagship documentary about the inspired Authorised Version by the enthused Melvyn Bragg to be, well … inspired and enthused. Continue reading