“Fascinating Twitter exchange between @MoAnsar and @Adrian_Hilton on education,” tweeted the BBC’s Nicky Campbell during a rather disheartening dialogue I was having with everyone’s favourite Muslim social commentator.
And fascinating entertainment it may very well have been for the steadily-swelling Twitter crowds who were gathering to RT, ‘favourite’ and butt in on the commotion. But educationally enlightening it was not. And I wouldn’t be writing about it now but for the peculiar fact that Mo Ansar hastily deleted a whole string of his tweets when he realised that he was being monitored not only by his adoring fans, but also by the eminent historian and author Tom Holland. Continue reading →
You usually get everything represented at the Edinburgh International Festival: it caters for all self-indulgent tastes in the postmodern world of moral relativism – from binge-drinking and bigamy to buggery and blasphemy. Gradually, over the decades, the arts have aided the rehabilitation of medieval notions of sin and human vice: lust has become love; wrath is free expression; greed is a work ethic; envy is a spur to social mobility; pride is aspiration; sloth is simply genetic; and gluttony has become a human right.
We’ve come (or gone) a long way since the Lord Chancellor’s censoriousness was curtailed. Our theatres may indeed still be monuments to our prodigality and folly, as the Puritan preacher the Rev’d Thomas White declaimed at St Paul’s in London during the plague. But one wonders about the contemporary equivalent of his evangelical apocalyptic observation that ‘the cause of plagues is sin…the cause of sin is plays; therefore the cause of plagues is plays.’ Continue reading →